1. |
my frikken back hurts
07:48
|
|||
2. |
double happiness
02:44
|
|||
3. |
||||
4. |
happy?
08:41
|
|||
|
(*)(^%$%$#%^(*&)+_))_+( %&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#(*)(^%$%$#%^(*&)+_))_+( %&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?> ?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!
&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&(*)(^%$%$#%^(*&)+_))_+( %&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?> ?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!
&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^(*)(^%$%$#%^(*&)+_))_+( %&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?> ?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!
&^*&((__*()*+*+)(*&*&^%^%(*)(^%$%$#%^(*&)+_))_+( %&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?> ?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!
&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**( ^^&%$#@#@!#
$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**( ^^&%$#@#@!#
$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**( ^^&%$#@#@!#
$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**( ^^&%$#@#@!#
$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><$!$#@^$%$|":?> ?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!
&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**( ^^&%$#@#@!#
$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><(*)(^%$%$#%^(*&)+_))_+(**(&^^&%$#@#@!#$@#@$!&^*&((__*()*+*+)(*&*&^%^%$%##@$%$&^%&*(&_*()*)(+_)(*&()^&&^%$^$$#%@@#$!$#@^$%$|":?>?>?><"|:"|:><
|
||||
5. |
highs/lows
03:51
|
|||
6. |
drumtrack #332
02:54
|
|||
7. |
||||
#itssocontemporayray Cape Town, South Africa
If you like meh culpa, you may also like:
The great Illuminated Paths label issue another record of hazy, slowed-down sounds. Woozy, surreal, comforting, and absorbing.
go to album
Woozy and hallucinatory, "napolifutura" is the kind of music that would play in an elevator in a Magritte painting. Also available on tape.
go to album
Age of Execution
by Brian Wenner
Brian Wenner unleashes another batch of sizzling experimental electronic music, alternately dissonant and tuneful.
go to album
This experimental album was inspired by a stay in Marfa, Texas, and attempts to capture the sonic landscape of the desert.
go to album
Purportedly the recordings of a disgraced experimental psychologist (you decide), “Jumand” sets spoken word to eerie synths.
go to album
Journey to the Moon and Beyond
by Mort Garson
A new comp from the “Plantasia” composer is endearingly over-the-top.
go to album
As dreamlike as drifting untethered through outer space, Prairiewolf offers a sci-fi-informed take on lounge music.
go to album
